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- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Australian Bards and British ReviewersEssay1 May 1975
- Marcus Clarke’s LibraryEssay1 October 1976
- ‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69Essay1 October 1973
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978
- G.A.S. in Australia: Hot Air Down-Under?Essay1 October 1992
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Anzac, Literary Genre and MemoryEssay1 October 1996
- Performance for the PeopleEssay1 November 1994
- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- The Art of ‘Cracking Normal’Essay1 October 2001
- Setting the Record Straight: Bibliography and Australian LiteratureEssay1 October 2003
- ‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’Essay1 May 2004
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023