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- The Hero’s ‘Fear of Freedom’ in KeneallyEssay1 October 1972
- Asia and the Contemporary Australian NovelEssay1 October 1984
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- The Making of Thomas KeneallyEssay30 May 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967
- A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey LehmannEssay1 May 1983
- The Traditionalism of James McAuleyEssay1 October 1983
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- Barbara Hanrahan’s NovelsEssay1 May 1983
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015