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Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael Weaver

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Introduction: AI and the Future of Literary Studies

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral Elegy

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Review of *The Transported Imagination: Australian Interwar Magazines and the Geographical Imaginaries of Colonial Modernity*, by Victoria Kuttainen, Susann Liebich and Sarah Galletly

Interview with Thomas Keneally, Manly, 27 June 2012

Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla Modjeska

Rosa Praed’s Colonial Heroines

Some Volumes of Selected Poems of the 1970s

An Infinite Onion: Narrative Structure in Peter Carey’s Fiction

The Lemurian Nineties

‘Home Ground, Foreign Territory’: Living with Australia

From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*