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- Rosemary Dobson : The Influence of ArtEssay1 May 1974
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015
- The World Outside Time : Slessor’s Five BellsEssay1 October 1971
- Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis BorgesEssay1 October 1997
- Les Murray: Watching with His MouthEssay1 October 2001
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- Editing A.D. HopeEssay1 October 1986