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The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Colonial Violence and Forgotten Fiction

Displaced Homelands in Gerald Murnane’s *Inland*

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

Introduction: The Uses of Irish-Australian Literature

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

H. G. Wells in Australia

*His Natural Life* and Its Sources

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Transforming *Jane Eyre*: Its Australian Stage Adaptations

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Out of Context: A Study of Thomas Keneally’s Novels