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- ‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*Essay23 May 2022
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Walter Murdoch : ‘A Humble Protest’?Essay1 October 1993
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967
- Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)Essay1 May 1985
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011