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‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

The Making of Thomas Keneally

In Custody: Thomas Keneally and American Stories

Havelock Ellis’s Australian Idyll

History and Fiction in Rolf Boldrewood’s *The Miner’s Right*

Barbara Baynton: Woman as ‘The Chosen Vessel’

The Traditionalism of James McAuley

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

John Tranter: Absence in Flight

Drama’s Vitallest Expression: The Fiction of Olga Masters

Barry Oakley and the Satiric Mode

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Hal Porter, *The Tower* and the Quintessence of Porterism

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Excavating a Bonanza: Sarah Campion

In His Own Sweet Time: Carmen’s Coming Out

Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*