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- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- The Traditionalism of James McAuleyEssay1 October 1983
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- John Tranter: Absence in FlightEssay1 October 1986
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016