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- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- The Composition of *Geoffry Hamlyn*: The Legend and the FactsEssay1 October 1968
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Treating Dora in *His Natural Life*Essay1 May 2003
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- The Tennysons in Literary AdelaideEssay31 October 2015
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Review of *Australian Poets* seriesReview1 December 1964
- Australia’s ‘First’ DramatistsEssay1 May 1969
- A Checklist of Australian Literature of World War IEssay1 October 1969
- Hal Porter’s Comic ModeEssay1 October 1970
- Catherine Helen Spence, Unitarian UtopianEssay1 May 1971
- Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’Essay1 October 1970