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- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- Christina Stead: An InterviewEssay1 May 1974
- Treating Dora in *His Natural Life*Essay1 May 2003
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- Folie, Topography and Family in Murray’s Middle-Distance PoemsEssay1 October 2001
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007