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- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- By Association: Crafting Mission and Values Statements for the Australian University Heads of EnglishEssay30 October 2023
- Editing A.D. HopeEssay1 October 1986
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- Annual Bibliography of Studies in Australian Literature : 1971Essay1 May 1972
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- Society of Women Writers 1925-1935Essay1 May 2004
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- The Tennysons in Literary AdelaideEssay31 October 2015
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Australia’s ‘First’ DramatistsEssay1 May 1969
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982