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Asian Stereotypes in Recent Australian Plays

John Tranter: Absence in Flight

Drama’s Vitallest Expression: The Fiction of Olga Masters

Patrick White’s Novels and Nietzsche

Kate Baker, ‘Standard-Bearer’

Miles Franklin, *My Brilliant Career* and the Female Tradition

Hal Porter, *The Tower* and the Quintessence of Porterism

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

My Brilliant Career and 1890s Goulburn

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

*Geoffry Hamlyn* and Its Australian Setting

Reading Kate Llewellyn’s Garden(Books)

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

Future Tense: *Dead Europe* and Viral Anti-Semitism

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*