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- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- Interview with David MaloufEssay1 May 2010
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Bruce Dawe and the AmericansEssay1 October 1979
- The Prototype of Richard MahonyEssay1 May 1970
- Xavier Herbert: *Capricornia*Essay1 October 1970
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Old Orders, New Lands: The Earth Spirit in Picnic at Hanging RockEssay1 May 1978
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995