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Irish-Australian Literature: Ghosts, Genealogy, Tradition

Transforming *Jane Eyre*: Its Australian Stage Adaptations

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

Patrick White’s *A Fringe of Leaves*: History and Fiction

Christina Stead: A Checklist

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Official Criticism? Critical Practices and Australian Poetry

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan Moorehead

Demidenko/Darville: A Ukrainian-Australian Point of View

The Time of Biopolitics in the Settler Colony

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Indigenous Literature and the Extractive Industries

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Interview with David Malouf

Literary Aspiration and the Papers of William Gosse Hay

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

Bruce Dawe and the Americans

The Prototype of Richard Mahony