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The Support of Literature in Colonial Australia

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

In His Own Sweet Time: Carmen’s Coming Out

Dying of Landscape: E.L. Grant Watson and the Australian Desert

The Company She Keeps: Demidenko and Imposture in Autobiography

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael Weaver

In the Club: Australian Crime Fiction in the USA 1943-1954

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

Australian Literature: A Preliminary Subject Checklist

**‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Out of Context: A Study of Thomas Keneally’s Novels

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

Charles Harpur and the Myth of Origins