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The Usable Past: Australian War Fiction of the 1950s

Drama’s Vitallest Expression: The Fiction of Olga Masters

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Representation and Particularity in Pastoral: Some Examples from *Walden*

Jindyworobaks and Aborigines

Annual Bibliography of Studies in Australian Literature: 1976

The Structure of Frederic Manning’s War Novel *Her Privates We*

Patrick White’s Novels and Nietzsche

The One-Actor Play in Australian Drama

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

The Fiction of Beverley Farmer

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Origin, Identity and the Body in David Malouf’s Fiction

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne