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Annual Bibliography of Studies in Australian Literature: 1974

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

Christina Stead: An Interview

John Grant: Australia’s First ‘Really’ Radical Poet

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

Unknown Australia: Rosa Praed’s Vanished Race

‘Phrases Between Us’: The Poetry of Anna Wickham

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Words, Sticks and Stones: Keneally, Literature and Social Impact

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Recollections Through English Spectacles

Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral Elegy

From the Harp of Erin to Erin of the Harp with Thomas Keneally