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John Grant: Australia’s First ‘Really’ Radical Poet

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

Unknown Australia: Rosa Praed’s Vanished Race

‘Phrases Between Us’: The Poetry of Anna Wickham

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Words, Sticks and Stones: Keneally, Literature and Social Impact

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Recollections Through English Spectacles

Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral Elegy

From the Harp of Erin to Erin of the Harp with Thomas Keneally

Review of *Teaching Australian and New Zealand Literature*, edited by Nicholas Birns, Nicole Moore and Sarah Shieff

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

The Author of *The Hibernian Father*: An Early Colonial Playwright