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- The Support of Literature in Colonial AustraliaEssay1 October 1980
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Les Murray’s Talking MosaicsEssay19 December 2024
- The Original Nosey AlfEssay1 October 1975
- Australian Criticism in ‘Transition’Essay1 May 1993
- Preying on the Past: Contexts of Some Recent Neo-Historical FictionEssay1 October 1992
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- Early Evidence for ‘Bushranger’ and ‘Croppy’Essay1 December 1966
- Early Australian Poetry and its BibliographersEssay1 October 1969
- Review by Christopher KochReview1 May 1991
- Review of *Criticism* by Brian Kiernan and *Patrick White* by Alan LawsonReview1 May 1975
- Judith Wright’s Linguistic Philosophy – ‘It’s the Word that’s Strange’Essay1 May 1977
- An Uncollected Poem by Kenneth SlessorEssay1 May 1992
- Review of *Rolf Boldrewood: A Life*, by Paul de ServilleReview1 October 2003
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- Review of *Mongrel Signatures: Reflections on the Work of Mudrooroo*, edited by Annalisa OboeReview1 October 2005
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021