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Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Introduction: AI and the Future of Literary Studies

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

A.G. Stephens: The Critical *Credo*

William Hay and History : A Comment on Aims, Sources and Method

*An Imaginary Life*: The Dimensions of Self

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

After Libertarianism: An Interview with Michael Wilding

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

The Drowned World of Kenneth Slessor

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

‘But who considers woman day by day?’: Australian Women Poets and World War I

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life