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- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- Annual Bibliography of Studies in Australian Literature: 1986Essay1 May 1987
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- After Libertarianism: An Interview with Michael WildingEssay1 May 1998
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- The Drowned World of Kenneth SlessorEssay1 May 2001
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001