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- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*Essay5 July 2019
- Irony Machines: Artificial Intelligence, Literary Language, and the Opacities of TrustEssay22 December 2025
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- Writing Places in the Spaces of AIEssay22 December 2025
- Christina Stead: An InterviewEssay1 May 1974
- Christina Stead: A ChecklistEssay1 October 1980
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- First Steps toward a History of the Mid-Victorian Novel in Colonial AustraliaEssay1 May 2006
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- *The Young Cosima*Essay1 May 1970
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972