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Review of *Patrick White and Alchemy*, by James Bulman-May, and *Patrick White, Painter Manque: Paintings, Painters and Their Influence on His Writing*, by Helen Verity Hewitt

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Review of *Water from the Moon: Illusion and Reality in the Works of Australian Novelist Christopher Koch* by Jean-François Vernay

Review of Remembering Patrick White: Contemporary Critical Essays, edited by Elizabeth McMahon and Brigitta Olubas

Review of *Networked Language: Culture and History in Australian Poetry*, by Philip Mead

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

A Versatile Career: Ruth Park’s Novels in the American Marketplace

Irish-Australian Literature: Ghosts, Genealogy, Tradition

Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany

Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral Elegy

Coetzee’s Womanizing

Review of *Antipodal Shakespeare: Remembering and Forgetting in Britain, Australia and New Zealand, 1916-2016*, by Gordon McMullan and Philip Mead, with Ailsa Grant Ferguson, Kate Flaherty, and Mark Houlahan

Review of *Mary Gilmore: A Tribute* by Dymphna Cusack, T. Inglis Moore, and Barrie Ovenden

Research in Progress in Australian Literature [1967]

The Composition of *Geoffry Hamlyn*: A Comment

Three Talks: David Malouf, Les Murray and David Rowbotham: Les Murray

‘The Loaded Dog’: A Celebration