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Marcus Clarke: ‘Christianity is Dead’

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Kate Baker, ‘Standard-Bearer’

Miles Franklin, *My Brilliant Career* and the Female Tradition

Ways of Seeing : Henry Lawson’s ‘Going Blind’

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

The One-Actor Play in Australian Drama

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Short Story Cycles of Frank Moorhouse

Boundary Crossing: The Novels of David Foster

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Neither Here Nor There: Suburban Voices in Australian Poetry

Australian Literary and Scholarly Publishing in Its International Context

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley