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- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- The Solitariness of Alex MillerEssay1 May 2004
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002