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- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- Patrick White’s Studies for *Voss*Essay30 September 2022
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- The Impact of LiteratureEssay1 November 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011