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Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Literary Aspiration and the Papers of William Gosse Hay

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

**Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Towards a History of Literary Programming on ABC Radio

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Picturising Patois in *The Sentimental Bloke*

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

The D.H. Lawrence - P.R. Stephensen Letters

A Lost Satire on the 1890s *Bulletin* Writers and Bohemians