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- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- About Face: Asian-Australians at HomeEssay1 May 2002
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- The Telling of Marmel’s StoryEssay1 June 2009
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009