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- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- Literary Criticism in Australia: A Change of Critical Paradigms?Essay1 June 1991
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Afterword: The Story of a BookmarkEssay1 June 2013
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- The Fortunate FlâneuseEssay1 November 2015
- Patrick White’s Four PlaysEssay1 June 1966
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- Some Mary Gilmore LettersEssay1 October 1972
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- The Fiction of Beverley FarmerEssay1 May 1990
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998