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- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Impossible Literary HistoriesEssay1 October 2010
- *Ralph Rashleigh*: A Convict DreamEssay1 May 1976
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007