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Editing ALS: A Memoir

English Studies: A Personal Journey

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Teaching the Value of Literature (and Other Paradoxes)

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Christina Stead’s Student Publications

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

Fantasising the Nation for Child Readers in Early Australian Fairy Tales

Introduction: AI and the Future of Literary Studies

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Les Murray’s Talking Mosaics

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Patrick White’s Studies for *Voss*

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven