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‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

Decomposing Suburbia: Patrick White’s Perversity

‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and Anxiety

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

Remembering the War: Australian Novelists of the InterWar Years

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

Afterword: The Story of a Bookmark

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Coetzee’s Womanizing

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*