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The Usable Past: Australian War Fiction of the 1950s

Asian Stereotypes in Recent Australian Plays

John Tranter: Absence in Flight

Drama’s Vitallest Expression: The Fiction of Olga Masters

‘Interest’ in Les A. Murray

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

Gentlefolk Errant: The Family Writings of Martin Boyd

Narrative Perspective and Cultural History in *Robbery Under Arms*

A Survey

Thoughts on Some Recent Poetry

The ‘Literary Photographs’ of Henry Lawson

Kate Baker, ‘Standard-Bearer’

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

Gossip and History in the Novels of Brian Penton and Thomas Keneally

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Poetry and Politics in Oodgeroo: Transcending the Difference

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*