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An Interview with Archie Weller

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Les Murray: A Selective Checklist

My Brilliant Career and 1890s Goulburn

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Excavating a Bonanza: Sarah Campion

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

A. D. Hope and the Apocalyptic Splendour of the Sexes

Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

Not Reading the Nation: Australian Readers of the 1890s

Mid-Victorian Reading and the Antipodes

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War