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Christine Townend

*Makar*

‘The Orange Tree’ and the Limitations of Poetry

Martin Boyd as ‘Walter Beckett’

‘realer than the Real’ : Francis Webb’s 'Ward Two'

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Dal Stivens (1911-1997) – A Tribute

Review of *The Sea Coast of Bohemia: Literary Life in Sydney's Roaring Twenties* by Peter Kirkpatrick

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Review of *Henry Handel Richardson: Fiction in the Making* by Axel Clark, *The Importance of Being Eve Langley* by Joy L. Thwaite, and *The Last Exquisite: A Portrait of Frederic Manning* by Verna Coleman

Michael Wilding’s Three Centres of Value

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Review of *Hearts and Minds: Creative Australians and the Environment*, by Michael Pollak and Margaret MacNabb

Annual Bibliography of Studies in Australian Literature: 2001

In His Own Sweet Time: Carmen’s Coming Out

The Literary Reputation of Adam Lindsay Gordon