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Louisa and Henry and Gertie and the Drover’s Wife

Last Flight to Byzantium: *Memoirs of Many in One*

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Gossip and History in the Novels of Brian Penton and Thomas Keneally

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Hal Porter, *The Tower* and the Quintessence of Porterism

‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Worlds Apart? Finnish Translations of Australian Literature

Dramatising the Self: Beverley Farmer’s Fiction

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations