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- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- The Fiction of Beverley FarmerEssay1 May 1990
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Reading Carey Reading MalleyEssay1 October 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006