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Representation and Particularity in Pastoral: Some Examples from *Walden*

*Ralph Rashleigh*: A Convict Dream

Narrative Perspective and Cultural History in *Robbery Under Arms*

Kate Baker, ‘Standard-Bearer’

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Boundary Crossing: The Novels of David Foster

Dramatising the Self: Beverley Farmer’s Fiction

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Ern Malley and His Rivals

Brereton, the *Bulletin*, and A.G. Stephens

Generations Lost and Found: Reading Women Writers Together

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Disciplined Action? The Challenges of English at Canterbury and Beyond

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

Review of *Critical Essays on Judith Wright* Selected and with an Introductory Essay by A.K. Thomson