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The Impact of Literature

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

Poetry, Activism and Cultural Capital

Christina Stead’s Student Publications

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

The Drowned World of Kenneth Slessor

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Indigenous Literature and the Extractive Industries

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Coetzee’s Womanizing

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Site Unscene: Medial Ideology and the Literary Interface

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*