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‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Irish-Australian Literature: Ghosts, Genealogy, Tradition

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

A.G. Stephens: The Critical *Credo*

Annual Bibliography of Studies in Australian Literature : 1982

At the Edge: Geography and the Imagination in the Work of David Malouf

The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

Editing A.D. Hope

*An Imaginary Life*: The Dimensions of Self

Annual Bibliography of Studies in Australian Literature: 1974

*The Battlers*: Kylie Tennant and the Australian Tradition

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

Remembering the War: Australian Novelists of the InterWar Years

Annual Bibliography of Studies in Australian Literature: 2007

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*