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Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Future Tense: *Dead Europe* and Viral Anti-Semitism

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Friendship in a Time of Loneliness

Valerie Solanas and the Limits of Speech

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

The Impact of Literature

Cosmopolitanism, Sovereignty and Medievalism

Site Unscene: Medial Ideology and the Literary Interface

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

A.G. Stephens: The Critical *Credo*

Getting Started: The Emergence of Christina Stead’s Early Fiction

A Lost Dimension: The Immigrant’s Experience In the Work of David Malouf

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’