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Review of *Learning to Live with Climate Change: From Anxiety to Transformation* by Blanche Verlie

Conceptualising Irish-Aboriginal Writing

Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Displaced Homelands in Gerald Murnane’s *Inland*

The Values of *Critique*

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Les Murray’s Talking Mosaics

New Directions in Australian Literary Studies?: A Preliminary Discussion in Three Articles

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Annual Bibliography of Studies in Australian Literature: 1985

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

Perceptions of the Enemy in Australian War Literature

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

What is Australian Popular Fiction?

William Hay and History : A Comment on Aims, Sources and Method