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- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- Technologies of Literature: Reading, Judgment, and the Large Language ModelEssay22 December 2025
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Writing Places in the Spaces of AIEssay22 December 2025
- Annual Bibliography of Studies in Australian Literature: 1992Essay1 May 1993
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018