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Barbara Hanrahan’s Novels

Mateship, Individualism and the Production of Character in Australian Fiction

Lawler’s Demythologizing of the Doll: Kid Stakes and Other Times

A.B. Facey’s Australian Autobiography

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Sentimental Jonah’s Heart of Stone

Representation and Particularity in Pastoral: Some Examples from *Walden*

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Barry Oakley and the Satiric Mode

Urban Influence on Australian Literature in the Late Nineteenth Century

‘Maurice Guest’ and the Siren Voices

Marcus Clarke: ‘Christianity is Dead’

The ‘Literary Photographs’ of Henry Lawson

Louisa and Henry and Gertie and the Drover’s Wife

Ways of Seeing : Henry Lawson’s ‘Going Blind’

The One-Actor Play in Australian Drama

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Last Flight to Byzantium: *Memoirs of Many in One*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English