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Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Decomposing Suburbia: Patrick White’s Perversity

Interview with Andrew Taylor

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

On Appropriation: Two Novels of Dark and Barnard Eldershaw

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Remembering the War: Australian Novelists of the InterWar Years

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Afterword: The Story of a Bookmark

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

The Asian Conspiracy: Deploying Voice/Deploying Story

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction