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- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018
- Review of *Teaching Australian and New Zealand Literature*, edited by Nicholas Birns, Nicole Moore and Sarah ShieffReview2 November 2018
- Review of *Mick: A Life of Randolph Stow*, by Suzanne FalkinerReview25 February 2018
- Review of *Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy*, by Ken Gelder and Rachael WeaverReview25 February 2018
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley WalkerReview1 October 1984
- Voss and His Communications: A Structural ContrastEssay1 October 1982
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- John TranterEssay1 October 1977
- The Lemurian NinetiesEssay1 May 1978
- Anzac, Literary Genre and MemoryEssay1 October 1996
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- Performance for the PeopleEssay1 November 1994
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- ‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA ConnectionsEssay1 May 1996