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A Frame of Reference: Rosemary Dobson’s Grace Notes for Humanity

Australian Poems on European Paintings

The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]

Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*

Cultural Pathology: What Ern Malley Means

An Interview with Christopher Koch

An Interview with Judith Rodriguez

Nationalising the Author: The Celebrity of Peter Carey

‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*

Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam Shoemaker

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

A Paperback Canon: The Australian Pocket Library

Setting the Record Straight: Bibliography and Australian Literature

Wishing for Political Dominance: Representations of History and Community in Queer Theory

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*