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- ‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69Essay1 October 1973
- Four Notes on the Practice of RevolutionEssay1 October 1977
- The Lemurian NinetiesEssay1 May 1978
- Narrative Technique in LawsonEssay1 May 1980
- Convict Legends, Australian Legends: Price Warung, the Palmers and Others, 1927-1970Essay1 May 1980
- A Frame of Reference: Rosemary Dobson’s Grace Notes for HumanityEssay1 May 1981
- Australian Poems on European PaintingsEssay1 June 1991
- The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]Essay1 May 1992
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Cultural Pathology: What Ern Malley MeansEssay1 May 1995
- An Interview with Christopher KochEssay1 May 1997
- An Interview with Judith RodriguezEssay1 October 1997
- Nationalising the Author: The Celebrity of Peter CareyEssay1 October 1993
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- A Paperback Canon: The Australian Pocket LibraryEssay1 May 2000
- Setting the Record Straight: Bibliography and Australian LiteratureEssay1 October 2003
- Wishing for Political Dominance: Representations of History and Community in Queer TheoryEssay1 October 2003
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005