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- Edgy Laughter: Women and Australian HumourEssay1 October 1993
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Slessor and Cleveland: A Footnote to ‘Adventure Bay’Essay1 October 1971
- Review of *Nine Lives: Postwar Women Writers Making Their Mark*, by Susan SheridanReview1 June 2011
- Review of *The Cambridge Companion to the Australian Novel*, edited by Nicholas Birns and Louis KleeReview18 December 2023
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Australian Paintings in EnglandEssay1 May 1988
- EditorialEssay15 February 2016
- Vance Palmer and the Unguarded AwarenessEssay1 May 1974
- Rosemary Dobson : The Influence of ArtEssay1 May 1974
- The Art of ‘Cracking Normal’Essay1 October 2001
- Review of *Between Literature and Painting: Three Australian Women Writers*, by Roberta BuffiReview1 October 2003
- Review of *Transcultural Graffiti: Diasporic Writing and the Teaching of Literary Studies*, by Russell West-PavlovReview1 May 2006
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Editors’ Statements [Stephen Murray-Smith]Essay1 October 1981
- Some Sources of *White Stag of Exile*Essay1 May 1986
- Review of *Backgazing: Reverse Time in Modernist Culture* by Paul GilesReview30 September 2022