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Thomas Keneally’s ‘Innocent’ Men

Introduction: Why Pastoral?

Review of *Australian Literature a Reference Guide*, comp. Fred Lock and Alan Lawson

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Review of *The Portrayal of Women in the Fiction of Henry Handel Richardson*, *Gender, Politics and Fiction. Twentieth Century Australian Women's Novels*, *Dictionary of the Australian Theatre. 1788-1914*, *Henry Handel Richardson: a Critical Study*

Australian Literary Lives

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

Review of two books on Norman Lindsay

Some Remarks on the Late Great Hal Porter

Review of *Transgressive Itineraries: Postcolonial Hybridizations of Dramatic Realism*, by Marc Maufort

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

Review of *Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy*, by Ken Gelder and Rachael Weaver

Performance for the People

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Review of *Coming Out From Under: Contemporary Australian Women Writers* by Pam Gilbert

Maang: Bagaan Di (a Message for My Elder Sister)

Review of *The Space Between: Australian Women Writing Fictocriticism*, edited by Heather Kerr and Amanda Nettelbeck, and *Jamming the Machinery: Contemporary Australian Women's Writing*, by Alison Bartlett.

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial