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Review of *Mind the Country: Tim Winton's Fiction*, by Salhia Ben-Messahel

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Review of *Australian Literary Manuscripts in North American Libraries: A Guide*, *Australian Autobiographical Narratives: An Annotated Bibliography*, *Black Australian Literature: A Bibliography of Fiction, Poetry, Drama, Oral Traditions and Non-Fiction, Including Critical Commentary, 1900-91*

Review 0f *Make It Australian: The Australian Performing Group, the Pram Factory and New Wave Theatre*, by Gabrielle Wolf

Mudrooroo: Crafty Imposter or Rebel with a Cause

Is *Geoffry Hamlyn* a Creole Novel?

Review of *Reclaiming Romanticism: Towards an Ecopoetics of Decolonization*, by Kate Rigby

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

Gay and Lesbian Writing and Publishing in Australia, 1961-2001

Thomas Keneally’s ‘Innocent’ Men

Introduction: Why Pastoral?

Review of *Australian Literature a Reference Guide*, comp. Fred Lock and Alan Lawson

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Review of *The Portrayal of Women in the Fiction of Henry Handel Richardson*, *Gender, Politics and Fiction. Twentieth Century Australian Women's Novels*, *Dictionary of the Australian Theatre. 1788-1914*, *Henry Handel Richardson: a Critical Study*

Australian Literary Lives

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

Review of two books on Norman Lindsay