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- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Review of *Robert D. FitzGerald* ed. Julian Croft; and *A Tribute to David Campbell, A Collection of Essays* ed. Harry HeseltineReview1 October 1987
- Review of books by Hal Porter, Catherine Helen Spence, Douglas Stewart and Ric ThrossellReview1 October 1976
- The Influence of John Steinbeck’s *The Pastures of Heaven* on Patrick WhiteEssay1 May 1974
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- The Solitariness of Alex MillerEssay1 May 2004
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- Clem Christensen and His LegacyEssay1 May 2004
- Review of *City Bushman: Henry Lawson and the Australian Imagination*, by Christopher LeeReview1 October 2005
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Authors’ Statements [Elizabeth Jolley]Essay1 October 1981
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Australian Poetry of the First World War: A SurveyEssay1 May 1970
- Commonwealth Patronage for a Patron’s DaughtersEssay1 October 1982
- The Australian Bush-WomanEssay1 October 1982
- Review of *Hot Copy: Reading and Writing Now* by Don Anderson; *Yacker: Australian Writers Talk About Their Work* by Candida Baker; and *Rooms of their Own* by Jennifer EllisonReview1 May 1987
- While My Name Is Remembered…Essay1 November 1994
- Review of *Jean Devanny: Romantic Revolutionary*, by Carole FerrierReview1 October 2000
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023