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- Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the CurriculumEssay19 September 2017
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Mona Brand: A Checklist, 1935-1980Essay1 May 1981
- John Tranter & Les MurrayEssay1 May 1982
- The Palmer Abridgement of ‘Such is Life’Essay1 October 1978
- *Salt*: An Australian Second World War Journal and Its ContemporariesEssay1 May 1993
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- Editing ALS: A MemoirEssay1 June 2013
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023
- Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural DiscourseEssay1 October 1992
- Annual Bibliography of Studies in Australian Literature: 2001Essay1 May 2002
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Annual Bibliography of Studies in Australian Literature: 1966Essay1 June 1967
- Christina Stead: A ChecklistEssay1 October 1980
- Justice, Sacrifice and the Mother’s PoemEssay1 October 2001
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940sEssay25 May 2024