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- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- The Politics of English Studies in IndiaEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- **Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**Review2 May 2023
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- Annual Bibliography of Studies in Australian Literature : 1963Essay1 June 1964
- Charles Rowcroft: An Unpublished MemoirEssay1 October 1967
- Henry Lawson’s New Zealand Visits: A CommentEssay1 May 1969
- Review of *Kenneth Slessor* by Herbert C. JaffaReview1 October 1971
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Some Previously Unpublished Lawson Material in Australian LibrariesEssay1 October 1982
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- [Statement]Essay1 October 1985
- Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’Essay1 May 1981